Noticing children’s learning processes – Teachers jointly reflect on their own classroom interaction for improving mathematics teaching     

Petra Scherer  Heinz Steinbring 《Journal of Mathematics Teacher Education》2007,10(1):63-63

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MicroRNAs: Tiny genetic switches in our genome     

Venkatesan Sundaresan 《Resonance》2017,22(2):163-176

Gary Ruvkun is a winner of the 2015 Breakthrough Prize in Life Sciences. He is a co-discoverer of microRNAs (with Victor Ambros, University of Massachusetts), regarded as one of the seminal discoveries of 21st century molecular biology. In addition to the Breakthrough Prize, Ruvkun and Ambros have received the Warren Triennial Prize, the Laskar Foundation Award, and numerous other awards and prizes. Professor Ruvkun obtained his PhD from Harvard University, did his postdoctoral research at MIT, and subsequently accepted a faculty position at Harvard, where he is currently Professor of Genetics. His laboratory conducts research on basic cellular processes, using the worm C. elegans as a model system.  相似文献   

Multi-core microprocessors     

V Rajaraman 《Resonance》2017,22(12):1175-1192

Multi-core microprocessor is an interconnected set of independent processors called cores integrated on a single silicon chip. These processing cores communicate and cooperate with one another to execute one or more programs faster than a single core processor. In this article we describe how and why these types of processors evolved. We also describe the basics of how multi-core microprocessors are programmed.  相似文献   

Dutch Publishing Industry Seeks Startups Through the Renew the Book Competition     

Martin Voigt  Wiet de Bruijn 《Publishing Research Quarterly》2017,33(1):10-13

In order to find new ways of growing the market, the Dutch General Publishers Association developed an innovation-competition for startups worldwide to bring innovative thinking and ideas into the Dutch Publishing Industry. The competition is the first and only program dedicated to startups leveraging new and creative business ideas around all the elements of book publishing and has its second edition this year. The competition is for startups, who are active in areas such as publishing automation, book retail, data analytics, authoring, book content development, and audience engagement.  相似文献   

UAE’s Publishing Industry: A Vision of an Avant-Garde Nation     

Bodour Al Qasimi 《Publishing Research Quarterly》2017,33(1):37-40

This article outlines in detail the ten strategic goals that the UAE publishing industry has identified to lead a comprehensive transformation of the industry and to cement its position as a regional leader. The main goals revolve around building regional and global partnerships, developing a global publishing hub, improving legal framework for the all the stakeholders of the industry, building quality Arabic content for local and regional readers, supporting educational publishing, launching initiatives to encourage reading for pleasure, improving distribution networks and retail, transforming libraries, and instilling a sense of pride and understanding of local culture while supporting creative talents and skills. Also, this article will share information about some leading initiatives being implemented in Sharjah and the United Arab Emirates, and future initiatives to be implemented to achieve the ten goals.  相似文献   

Michelle Levy and Tom Mole,Editors: The Broadview Reader in Book History     

Jaidree Braddix 《Publishing Research Quarterly》2017,33(2):204-205

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Crowdsourcing: A Platform for Crowd Engagement in the Publishing Industry     

Siti Ezaleila Mustafa  Hamedi Mohd Adnan 《Publishing Research Quarterly》2017,33(3):283-296

Publishers will usually make decisions based on their experience and knowledge in book publishing. However, there are risks of losses as markets can be unpredictable. Now, with the availability of various online social platforms, “crowdsourcing” is being used by publishers and authors to gather new ideas and innovations. This article will analyze how the crowdsourcing platform is used by industry players to attract active participation from the public, especially in the title development process. Publishers or authors also need to understand which platform is appropriate and how to use the platforms as a marketing communication tool. The netnography approach will be used to gather and analyze the data related to the specific subject area of the study, including literature review and online observation. Based on our observations, platforms such Wattpad and Ilham Karangkraf are popular among Malaysian authors and publishers, and had been used to get crowd engagement as well as to communicate with readers. With it, sometimes a work that has many readers or followers will be published.  相似文献   

Michael F. Suarez,S. J., and H. R. Woudhuysen,Editors: The Book: A Global History     

Alex P. Grover 《Publishing Research Quarterly》2017,33(3):352-355

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The Rise of the Citizen Author: Writing Within Social Media     

Miriam J. Johnson 《Publishing Research Quarterly》2017,33(2):131-146

The concept of the citizen author is defined and explored within the publishing industry. In order to understand what positions the citizen author currently, and potentially could, hold it begins with a historical view of their rise, including concepts of their eighteenth century antecedents. But the focus of this research is on their growth alongside that of social media platforms. This allows for drawing out relationships between genre fiction, publishers, and the citizen author, which provides a more full understanding of the power dynamics involved when publishers, social media, and the citizen authors mix in the current industry climate.  相似文献   

Make or Buy? A Qualitative Analysis of the Organisational Handling of Digital Innovations in the German Book Publishing Sector     

Anna Klamet 《Publishing Research Quarterly》2017,33(1):41-55

Traditional media have been changing in response to digitisation processes and the spread of the internet. This article looks at the consequences of technological change for the organisational structures of publishing houses in Germany, most of which are small to medium sized enterprises (SMEs). Following any decision to produce digital content, new tasks emerge which need to be fulfilled and publishing houses have to re-allocate appropriate responsibilities. The context of the preference for in-house or for external production is explored as is the precise identification of the managerial and technical skills demanded by a switch to digital publishing. The findings suggest the important role of strategic partnerships with service providers as well as with other publishing houses, especially for larger projects beyond the capabilities of SMEs.  相似文献